Need to be tech savvy

Dear non-followers,
Well, I'm trying to learn, but it aint easy. I'm slow on getting out a blogpost, mostly because I've been busy in the world of facebook and submitting work, and occasionally trying to do some writing. Reading work from the fiction classes I teach at the Writing Salon and now, it's that time of year. I get to read the short stories from my creative writing class at Hercules High School. They have that new kind of creativity. The kind you had when you were a kid. The best kind. Where everything is new. No blocks of any kind. The kind where you weren't afraid to imitate someone's style because you didn't always know that's what you were doing. I did that and still I loved writing. My brother stole my stories from the teacher's desk drawer ten years after I graduated. Wow, a blast from the past. "Today, It Will Happen" and now I see that line in a story and I crack up. Avoid that line if you can. Looking forward to X-mas mostly for the two weeks off afterward. Go see the movieThe Fantastic Mr. Fox.. It's great.

Upcoming Classes

I am looking forward to teaching a new group of people in my Fiction class on Thursday night. And so looking forward to having a new class--Fiction Continuation, where people want to focus mainly on workshop and revision. Both classes start this week, and then Saturday night is Litcrawl. Hope everyone has picked out one or two events to go--I'm so glad to be reading for Instant City. This magazine is one that focuses on San Francisco stories. I love it because it catches that side of me that longs to live in the city, be a metropolitan babe. I encourage everyone to pick a couple of the readings on Saturday night and just tour around the Mission. My reading is at 6:00 at Dalva's --oopsy, forgot the name of the bar again. I'll look it up and get back to you via e-mail.

I went to two readings this weekend--one featured people who've been published in Pedestal Magazine and the other is what I consider to be my local hot spot--the Valona Poetry reading series. The editor from Pedestal--John Amen--read at both readings. Meg Pokrass had stories that were on fire. I needed some relief from all the serious, headiness that comes with poetry at these things, but I have to say, I was impressed by the caliber of the readers. I picked up a couple of Amen's books and plan to use one or two of them as examples of strong imagery and language.

My advice to you for this week if you're a writer, though, is to remember why you do it. I'm reminding myself right now. Cut back on the blogospheres, the facebook frenzy, the duotrope search engine, and just write. CULATER

Did I get your name right?

My latest story on-line is called "Yeah, But Nobody Hates Their Dad." It's up on You Must Be This Tall To Ride, which is a coming of age stories website. Interesting concept. When I saw their site, I thought, Oh, I have just the story. And I'm glad they thought so, too. If you read it, let me know what you think.

Hey, Kerry. Is that your last name? I forget. Because I used to date a guy named Kerry and I've mixed his last name up with yours. The stuff that gets stuck to your brain flaps.

Coming up, my fiction writing class at the Writing Salon in Berkeley. It's Thursday nights from 7:00 to 9:30 for nine weeks. It's what fiction classes are like, but I like to mix it up a bit with new stories each time. I'm looking around for a new story to use besides "Hills Like White Elephants" to teach dialogue. We've seen this. We know it's great, but please. HOWEVER, if you haven't read it, it's a must-read! I also have a flash fiction class on October 10th for a couple of hours. One more listed is the Fiction Continuation class once a month for six months. Whew!
Check out writingsalons.com

Litquake is coming to town and we're all excited. Look it up and see all the scheduled readings. I'll be reading on October 17th at 6:00 for Instant City. Oops, forgot the name of that bar. Hold on for that info. I'll be posting on Facebook. There will also be lots of educational sessions. Just look and see what your preferences are and don't be shy, just go.

I want to say read the newest issue of Smokelong Quarterly for your dose of flash fiction. It's the magazine to goto for flash. Or read Elimae.

Got several great rejections this week. Spurned. I love that word because it rhymes with burned. And yet, when they say "We were glad to have had the chance to consider it," how can you be hurt.

I'm trying to get to bed at a decent hour.

The Mechanics of Falling by Kate Brady

Well, I just had to take a break from reading her book and it's pretty amazing. Such a good read--it hurts to read it. Makes me want to be a better writer. Buy it and read it. You'll love it. The Mechanics of Falling by Kate Brady. I think she goes by Catherine Brady on the book, though. I was thinking that the back of the book has it wrong, though. She doesn't need to be compared to any of the greats--she is one. I'm her biggest fan.

Sorry I missed out on Sean Beaudoin's book opening in San Francisco. His new book is called Fade to Blue. I've heard it's pretty good. That's next on the list. I love the cover.

Litquake's coming up in October. I'll be reading for Instant City--that cute little San Francisco magazine that I'm always promoting in my classes. I'm wondering what to read. Something serious or something irreverant and funny. Well, probably both b/c that's how I roll. A friend of mine--Kerry Norris is reading for Babylon Salon at the same time, shucks. I've never heard her read and want to.

On readings and writing

Well, it's Sunday, September 13th at 12:45 and I am fussing with the "L" button on my computer that doesn't work. Reading poems by Raymond Carver from the book All of Us. If you are feeling lost and jaded and want to come down to earth--that's the place to go. I went to the literary reading series called Babylon Salon last night where Pam Uschuck read, along with Daniel Alarcon. Quite a diverse mixture of talent. I especially liked the work by alumni from USF--voices emerging from the darkness of the bar scene. It was nice to see familiar faces. Picked up Pam's book of poetry, which is up for a Pulitzer, and I read today in the paper that Daniel Alarcon's work is up for a big literary prize, too. I am sure, after thinking about it for a while, that these writers have been at it, working on their writing for many years and are deserving. It's easy to see the longing in myself and others when I go to these things. I get this feeling--time to put the time in at the chair and journal, by myself. Put the words down on paper.

If you're looking for a great website to read, check out Jane Anne Staw's new page on writing: writershomecompanion.com. And it's free! That's what's amazing. She'll get you writing.

Finished the O'Henry collection and am getting excited to read Kate Brady's collection The Mechanics of Falling. I want to go hear her read from it and am hoping she has a reading again soon.

September is the busiest month in terms of teaching, but teachers have voted to support a strike, so I may have more free time than I want in a couple of weeks. The district wants to take away benefits for our family members. Way to hit below the belt--no negotiation on pay, just no, we're taking that. Tension and anxiety. Class sizes are inflated beyond belief and because we don't have a contract yet, they are going to get away with not paying us for all the extra students in the classes. 69 students in a P.E. class. They might as well dress up in military uniforms and send them off to war.

Back to School

I'm such a lazy blogger, but here goes. It's August 19th and tomorrow is back to school for teachers and vote to strike. Ayee. On the writing front: trying to revise an old story about teaching called "Ana from Panama." I think I finally hit the mark. You know when you write a story and you work on it and it's all polished, but you feel like, Oh, I know if I send that out, it's not going to hit. Even though it's a perfectly good story. What is that about? It's because you are hinting at what you wanted to get at with this story, but you didn't dig deep enough. I was on the surface of that situation, but I had to get down to why the narrator was telling the story in the first place. Get at the HEART of it, as I say in my class. I finished reading the O'Henry collection and was glad I picked it up. Some really fine stories in there. We're discussing Junot Diaz's story "Wildwood," which was in the New Yorker last year. Go on-line and read the New Yorker blog. Diaz (Yunior) responds directly to comments on his story. I'm also reading the Best of the Web collection put out by Dzanc. I found some pretty cool stories in there, but I'm also, once again dismayed at the high number of male writers versus female. I know there are plenty of women writers on the web. Maybe it's the particular take/taste of the Dzanc Editors. I hate to be such a feminist, but the numbers don't lie.
I will try to go on sooner rather than later and talk about the individual stories from that collection that I like.
Steven McDermott is going to (hopefully) have a section of Storyglossia on review of the short story. That should be intellectually interesting. That is about all I read these days. I'm getting ready to reread Angela's Ashes this week and make a project / test for my students' summer reading assignment. Sad sad sad that Frank McCourt is gone.
Writing: Work on a story about music and obsession for Storyglossia. Out.

End of July already

Whew! This month went by. I'm reading the O'Henry collection and I am so taken with the short story by Paul Theroux called "Twenty-two Stories." For all you flash fiction writers out there--read it. It's really a collection of very short flashes, which is what I like to do when I write. Finished revising two short stories and sent them out. Lots going on in the Bay Area. Went to Adele Mendhelson and Clive Matson's poetry reading at the Berkeley Art Center Saturday night. Wow. One man sang "Old Man River." Another woman sang from the opera "Carmen." The usual open mic people--David Gollub and few others I know from the now defunct open mic at La Mediterraneum. Ah, the good old days. Sent out some flash pieces today--haven't done that in a while. Thanks to Meg Pokrass for her encouragement. Google her--read here. She's great. She's on decomP right now. Go there. Don't watch my youtube video of me reading my piece "Ten Suggestions for How to Write a Story Based on a Dream." Why? Because I suck. I had to go first. The crowd was not warmed up and I was trying to hard, plus I don't like my hair. Here's a piece of flash about my hair.

How to Get the Same Exact Hair Color That I Have

First go to Target ready to spend ten lousy dollars on a box of hair color. Loreal is the good product. Spend an hour there deciding whether to buy 8G or 9G. Why don't they have an 81/2 G? Go home and wait to color your hair until a half hour before you have to be somewhere important. The box says a half hour. Follow the directions carefully. Shit, you are late. Now you are going to have to live with that orangeyness until tomorrow. The next day--buy the Blonde Highlights Shampoo and Conditioner. Hesitate. Yeah, go ahead. If you want my hair color, follow along exactly. Wash your hair with the shampoo--make sure to leave it on four minutes instead of three. Do the same with the conditioner. Don't look at your hair when you take it out of the towel--that's not quite the color it's going to be. Blowdry it. Now look. Go right to the local drugstore--Walgreens is best because they have a wider selection. Buy that tube of the purple stuff meant to take the "brassiness" out of your hair. Go home and wash with that about eight or nine times...yes, the same day. Wait a week. Give it a rest. Okay, now call the beautician. She will charge you $200 to correct this. Plus a tip.
Total Cost for Hair like mine: $250. Yep.
Wait, one more. About a week later, go to a different hair dresser and cut it all off. Start over. Write this down and don't forget how to do it because you will do it more than once.