Stuck in the Denver Airport

Yukkk, we are on the way to Omaha, Nebraska, and we're stuck in the Denver airport. Luckily, we have crossword puzzles to fill our brains up. (Or empty them) I've been revising my metal dump story and reading friends stories. I finished Olive Kitteridge and highly recommend it. I'm going to read the novel Brooklyn by (????Colin Tolbin???) Sorry if I butchered his name. I also have a literary magazine along for the ride--River Oak Review. Okay, so for you short story writers out there, I sent a story to Gargoyle, and the reader sent me a note within two days, suggesting other venues: Baltimore Review, Post Road, So to Speak, Pedestal Magazine, and Folio. I went on-line and looked at them and it seems like they might like more traditional or regional topics. So I sent him a different story...more trendy, unusual format, and he immediately sent back suggestions for several magazines, some the same, one or two different, but he also commented briefly on the second story. So, that made me happy and nervous. First, I was so heartened by the fact that this editor would take the time to suggest other venues he felt might be more suited to the two stories, and second that he liked the way I had written the second story. I was also nervous b/c I don't like being pegged as a regional writer. I wonder what "regional" means? Anything that deals with a specific part of the country? Stories dealing with cows and pastures and country people? Stories that deal with the Midwest region? Anyway, neither story dealt with country people or cows or pastures. One did take place in the Midwest, but didn't specifically state a place. One was a story about a family; the other a story about rats. Are rats regional? Anyway, the next day...an editor responded to a piece of flash fiction I sent him and he said something about my story opening spaces inside him that he'd forgotten about. (Different story) I needed to hear that. So my story is that you never know what editor your stories will appeal to, but it does help if you've researched a little. It's funny, because I had already sent stories to four of the five magazines on the first editor's list. I'd read sample work of these magazines on-line or I'd picked up a copy somewhere (the USF lit. mag. library, the bookstore, or ordered a sample copy.) I had never sent to Gargoyle before but I liked how they looked and sounded on-line. I think I should order a copy, though. As L. Buzbee used to say to me, "Do your homework." Keep Writing.

Dog speeding

Okay, so I'm trying to catch up on publishing, but first we (meaning the creative writing class at the high school where I teach) had to finish creating the lit mag. Then we had a talent show. In between this I am reading work for my night class, which is keeping me in the loop artistically. I'm feeling good, though, because Jackey got a haircut and we bought new shoes and headbands today, so one more week of high school and school's out for the summer. I'm getting ready to read and write and kick back poolside while Jackey swims. (That's at the public swim pool, by the way.)

On the reading list? Nothing yet. I'm going to visit a bookstore. I did pick up the lit mag Hunger Mountain. Really liked it. Still too busy to comment. Okay, my dog's speeding--I gotta go talk him out of it.

Olive Kitteridge

Well, I got this book because it won the Pulitzer. I thought, with a name like that, it can't be good. But what the heck, I had read her work somewhere before. I know the people who run those prizes can't be all wrong and it is a collection of SHORT STORIES! Yeah for the short story! Now I don't want to put it down and I don't want to finish it because it is so good. It is so good, while I am in the car and my husband is talking to me I am yessing him, but I am so annoyed because I don't want to talk about the job or the kids or anything, I just want to see what's going to happen to this family next. It's as enjoyable as any Alice Munro collection and who else? Jumpha Lahiri, Tobias Wolff, Raymond Carver, and my local favorite--Kate Brady. So that's it. Buy it, read it. That's all you're getting out of me.

Pre-Mother's Day Reading

Hey--long time--I've been busy. I'm reading at Books, Inc. in Alameda today. May 3rd. At 3:00. It should be interesting. Laura Riggs with Speckled Eggs Studio set it up. She's making Mother's Day cards with our work. I hope there are three adult friends who will show up. The address is 1344 Park Street. I'll be reading a super-short flash and my essay published on 580 Split.

Writing: ????Yikes. Dealing with life crisis. Daughter in car accident in L.A. Enough said. She's okay and I'm having post-traumatic stress disorder.

Writing. Write--I'm reading the new Georgetown Review where my short story "Words I Like to Use Lately" appears. I really like the stories in it. They are down-to-earth, feel true and real. Not much experimentation going on and I kind of like that. The poetry is accessible. I see Jacob Appel's name everywhere these days. I have to recommend the story "When Will Our Grass Be Ready" by Jackie Thomas-Kennedy that's in it. Just loved it. I think because we all feel the way the main character does...or at least I do...What do I want? So I'm a fan. I feel like the stories in this magazine are also vivid, have memorable imagery and ideas.

Talking to a friend last night about getting inspired to write. She said she went to a Leonard Cohen concert and it made her want to go home and put words on paper. I think...get out, see the world, listen to other poets, songrwriters...good idea. I went all over California with my parents and was gung-ho to write when they left (sad, though) and then the car accident threw me for a loop. I'm getting back on that horse this week.

580 Split Reading on April 25th

I have a reading at Mills College coming up for the magazine 580 Split. That's always fun and nice to get out there and hear other people's work. There's also a life after the MFA forum on Sunday, the 26th at USF, so I'm looking forward to being busy in the literary life. My class at Hercules High School is hard at work on the lit mag: The Dynamite Factory, and I'm so proud of them. They get right to it and know exactly what to do. The English III classes are presenting projects for their multicultural lit unit and the other two English classes are reading Catcher in the Rye. I can't tell whether they like it, but I'm getting tired of it. I think I'll try to find something fresh and new for them to read next year. They liked Their Eyes Were Watching God, I think. We have to do some writing soon. So that's life after the MFA in a high school English class. I'm hoping more of you out there will sign up for my Wednesday night fiction class at the Writing Salon (soon). It may be a sign of the economy slump. I'd like to teach a class and only have two sign-ups right now. It'd be nice if the class stayed small, but six is the necessary amount for the class to go.

As for my own writing--well--more time to write is always a plus. Working on a collection of suburban stories. Rough day, though. Daughter had a fender bender, husband's truck got broken into and his wallet stolen--they charged a bunch up at Toys R Us and Staples within an hour or two--and some students at my high school hijacked the school website and wrote some pretty awful things about administrators and teachers. I felt sad and disheartened at their meanness, especially toward teachers and administrators who work so hard to make school a safe place and the teachers who work extra hard to help them be successful on AP exams. Maybe teachers and students don't always see eye to eye, but writing profane and abusive statements, terrorizing the school's website (which students created and maintain)? I don't get it. These are definitely kids with too much time on their hands. And they're sure to get caught, which will also be sad for their lives--and their parents' lives.

The Practice of Poetry

Hey, if you're a poet and wants some terrific exercises for writing poetry--try The Practice of Poetry, edited by Roni Behn and Chase Twichell. It's great for sparking the imagination, which is why I'm especially encouraging fiction writers who are blocked to try it. It's got my mind all woke up. A friend gave me an article from the LA Times about cowboy poets/farmer poets and I thought that was pretty funny and true. I'm from the Midwest and I can see why farmers would resent the bailout when they lost all their farms in the 80's. No one came to their aide. Here's a sample from Yvonne Hollenbeck
"A 'Bail Out' plan in AgLand is to feed the livestock hay,
and not the type of bail-out plan we hear about today.
When country folds lose money, which happens most of the time
they don't receive a handout...not even one thin dime."

Love it.

New Creative Nonfiction on the Web

I have a new essay out on the web at 580 Split. It's the short essay called "In the Shed." GOTO 580split.com and then go to their web journal. Let me know what you think. After seeing it on-line, I felt like whoa...too personal. It's my first nonfiction piece. I think I like hiding behind the veil of fiction, but I wanted to step out this once because my daughter JG was mentioned in it and I wanted to say to her, "Hey, I wrote something about us." I was also trying to write about the past and trying to write an essay in the vein of personal reflection. My eleventh grade students have to write one, so I made myself write one, too--to show them and to show myself.

As for people who were considering taking my Friday night class, I'm sorry. I had to step off on that one because I was too overwhelmed with things to do in the next three months. (And quite frankly, I got ill with kidney stones and it set me back about two weeks.) I will still be teaching my Fiction class. It's been moved back to Wednesday nights, with all new stories to read, new writing exercises, and more opportunities to workshop. So check it out if you're thinking about taking a class. If you have graduated from an MFA program, but miss the classroom, this class has a nice mix of writers who are very dedicated to the craft and are very responsible in the workshop/editing phase. It's a great place to go back to and revive that spirit and excitement you had for writing. (Or if you are new--we're gentle and encouraging)

As for advice about writing, I'm now reading a book called The Practice of Poetry by editors Robin Behn and Chase Twichell. They have some terrific exercises for people to write poetry, but I like some of them for inspiring stories, too. I like the idea of writing a story from a poem. I used to do this all the time when I was in the program at USF. Write the story out as lines in a poem first. Then go back and fill it up with detail. I do the reverse sometimes with poetry. Freewrite as a narrative; then pare it down to the simplest form. Cut out and get to the central image and metaphor.

BEGONE!